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Table of Contents
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Thumbnails, Part 4:
Prints made for Illustrated Books (These prints are not included in the catalogue raisonné proper.) |
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A Biographical Chronology
of the artist (and its accompanying linked pages) appears on the website The Art and World of Luis Quintanilla |
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A Catalogue Raisonné
(in progress)
Full Entry Catalogue
Title: Chiquitita**
Series: Madrid Prints
Click the image for enlargement.
Date: 1934***
Medium: Drypoint, possibly including some etching****
Edition: Currently Unknown (CU)*****
Dimensions: 280 x 180 mm. (11 1/16 x 7 1/8 in.)
Printer: Adolfo Ruperez
Paper: Wove with Arches watermark
Signature: Typically signed in pencil, l.r., beneath the plate mark.
Public collections holding this print: CU
Topic galleries for this print:
Women (Studies of)
Notes
*Catalogue Entry #: For numbering used in other catalogues, see below.
**Title:
- The Spanish title appears in the artist's hand in pencil on at least one impression, l.l. (See Fig. 1 below.)
- The only known impressions bearing titles in the artist's hand for Madrid Series prints are in the Hemingway Collection and carry their titles l.l. where the numbering normally appears.
- Chiquitita" is the diminutive for "chiquita" ("little girl")
- The Pierre Matisse Gallery Catalogue uses the title "Inocencia" ("Innocence").
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Fig. 1
***Date: Inscribed in pencil upper left of image on the impression from the Hemingway Collection. (See Fig. 2 below.)
Fig. 2
****Medium: A final determination for the medium has not been made.
- For a discussion of the factors involved, visit the "Medium" section of "Using This Catalogue Raisonné."
*****Edition:
- Only one impression, unnumbered, is known.
- Ruperez typically printed ten or fewer (most commonly 7-10) of Quintanilla's Madrid Series prints, often including at least one or more unnumbered impressions. (No record exists of more than two unnumbered impressions of any of the Madrid prints.)
- The Hemingway Collection typically includes one unnumbered impression bearing a title instead of the number, l.l. (See Fig. 1 above.)