Fiene Quintanilla Online Catalogue Raisonné Project
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catalogue raisonné,
choose from the links below.
Thumbnails, Part 4:
Prints made for Illustrated Books
(These prints are not included in the catalogue raisonné proper.)
A Biographical Chronology
of the artist (and its accompanying linked pages) appears on the website
The Art and World of
Luis Quintanilla

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The Fiene Quintanilla Online Catalogue Raisonné Project, use the links below.
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Quintanilla Copyright ©2006,
Jeffrey Coven, CATRAIS Copyright ©2010 IA\TPC
The Prints of Luis Quintanilla:
A Catalogue Raisonné
(in progress)
Full Entry Catalogue
Catalogue Entry #: 28*
Title: Mister Morgan - Lloret de Mar**
Series: Madrid Prints

Click the image for enlargement.

Date: 1933***

Medium: Drypoint, possibly including some etching****

Edition: At least 7 numbered impressions and at least one unnumbered impression*****

Dimensions: 280 x 360 mm. (14 3/16 x 11 in.)

Printer: Adolfo Ruperez

Paper: Wove with Arches watermark

Signature: Typically signed in pencil, l.r., beneath the plate mark.

Public collections holding this print: Currently Unknown (CU)

Topic galleries for this print:
Scenes Featuring Animals
Studies of Men


*Catalogue Entry #: For numbering used in other catalogues, see below.


  • The title, Mister Morgan - Lloret de Mar, appears in the artist's hand in pencil on at least one impression l.l. (See Fig. 1. below).
    • The only known impressions bearing titles in the artist's hand for Madrid Series prints are in the Hemingway Collection and carry their titles l.l. where the numbering normally appears.
  • The Pierre Matisse Gallery exhibition catalogue (1934) uses the title "Playa de Lloret" ("Beach at Lloret").
  • Lloret de Mar is a seaside town on the Mediterranean very close to Barcelona. At least two prints in the Madrid Prints series are set in Lloret de Mar, this and "Cafeteria en Lloret de Mar."
Fig. 1
Fig. 3

***Date: The date appears just below the signature, l.r.. (See Fig. 2 below.)

Fig. 2

****Medium: A final determination for the medium has not been made.

For a discussion of the factors involved, visit the "Medium" section of "Using This Catalogue Raisonné."


  • One observed impression is annotated "no 7," l.l. (See Fig. 3 above.)
  • Ruperez typically printed ten or fewer (most commonly 7-10) of Quintanilla's Madrid Series prints, often including at least one unnumbered impression outside the edition.
    • The Hemingway Collection typically includes one unnumbered impression bearing a title instead of the number, l.l. (See Fig. 1 above.)

Reproduced in: "Luis Quintanilla" 14

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This page last revised: Sunday, December 17, 2006