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|The Prints of Ernest Fiene:
A Catalogue Raisonné -- in progress
|Razing Buildings, West 49th Street
Catalogue Entry # 66
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Dimensions: 10 3/16 x 14 3/16 in.
Printer: George C. Miller
Typical pencil annotations on impressions from the edition: numbered and titled (l.l.); signed and dated (l.r.).
Public collections holding this print: Currently Unknown (CU)
Related Works: The painting Fall of Old Houses (purchased by Duncan Phillips from a Museum of Modern Art exhibition in 1931, and now at The Phillips Collection in Washington, D.C.) corresponds in composition very closely to the lithograph Razing Buildings, West 49th Street. Originally, the painting and lithograph had the same title -- the title the lithograph still bears. Of the painting, Fiene writes, My painting, Fall of Old Houses . . . was painted in the summer of 1931 [sic, most likely he meant 1930] at the time when several blocks of buildings were razed to make way for Rockefeller Center. The study of buildings in the process of wrecking fascinates me. I find not only the anatomy of the building laid bare but can also visualize the people who lived there. In this painting, the buildings in the foreground are down showing the inner wall clinging to the next building [while] the stairway [leads] to a more secluded room graced by a wall painting of a sunset over a lake . . . . To me this is so expressive of an earlier period reminiscent of the horse and buggy, the bicycle and a far more leisurely tempo." This image for the artist is a "record of the ever changing scene which is constantly taking place in New York . . . the sharp contrast between these charming old buildings and the skyscraper . . . so expressive of our day" (Unpublished typescript, (Fiene "Ernest Fiene Papers," reel 2353).
When Henri Matisse visited the Museum of Modern Art in 1930, the famous French artist toured an exhibition of American painting at the press preview. His informal guide turned out to be Henry McBride, editor of Creative Art Magazine. McBride noted that Matisse, whom he referred to in a column written shortly thereafter, only as "a distinguished French painter" was apparently his usual quiet self, not saying much about any of the paintings, with the exception of one. It was "Razing Buildings, [West] 49th Street" by Fiene, which Matisse found, according to McBride, "especially agreeable." McBride writes:
Fiene created a series of paintings during the early Thirties on the subject of old buildings in New York City being razed to make way for the new. For an example, see below.
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